Tag Archives: koma

Newspaper article 新聞記事:Craft Village Calls for Four Apprentices

Hiroi-sensei has appeared many times in Japanese newspapers. Below is a translation of an article entitled “Craft Village Calls for Four Apprentices” that ran November 11, 2012 in the newspaper Kahoku shinpō. See the original Japanese article at the link below.

廣井先生は多数の新聞記事で特集されています。2012年11月11日、河北新報が廣井先生についての記事を掲載しました。以下のリンクでアクセスできます。

Click here for the original article in Japanese.

日本語での記事はこちら

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Craft Village Calls for Four Apprentices

Kokeshi, Edogoma, Sendai tansu, Tea Utensils

Sendai and Akiu Engage in Job Creation Projects

Sekino learns painting from kokeshi artisan Suzuki (left)

At workshops in “Akiu Craft Village” in Sendai’s Taihaku Ward, four people in their 20s and 30s have become apprentices. In order to address the lack of successors to their crafts, artisans have welcomed and supported the country’s emergency job creation situation.

They also hope to borrow the energy of these young people to revitalize efforts to increase the dwindling number of visitors who come to Akiu Craft Village.

“A Chance to Train a Successor”

Both the Ganguan Kokeshi Store and the Onkomaya Hiroi Edo tops workshop have acquired two apprentices. The Sendai tansu shop Kumandō and tea utensil Umoregi* shop also have taken on apprentices.

Sekino Akiko (age 39, Taihaku Ward), a part-time instructor at an elementary school in Sendai who has become an apprentice at Ganguan, began visiting Akiu Craft Village once or twice during months off starting three years ago. Sekino decided to become an apprentice, saying, “I would like to open a workshop and convey to children how wonderful wooden toys are.”

On the 7th of this month, Sekino began learning to paint. By using kokeshi artisan Suzuki Akira (52)’s models as reference, Sekino is starting to learn how to paint eyebrows, eyes, and noses. Sekino worried, “Starting the brushwork is incredibly difficult”; to which Suzuki responded “Your own feelings are passed through the brush and appear in the work,” communicating the importance of being aware of your own state of mind while working.

Sales are in a slump, and more than half of the 9 shops at the Craft Village have no apprentices. The partnership of artisans, alarmed by this, solicited the apprentices using project assistance from the government that can guarantee at most one year and five months’ wages for them.

“It takes a short while to come into one’s own as an artisan, about a year and a half,” said Hiroi, the head of the project partnership, “but it would be great if we had a chance to train the artisans of the future.”

In addition to taking those who come to Akiu Craft Village on tours, Sekino will be making new kokeshi characters and has an important position in building up interest in the Craft Village.

Dyeing and Weaving Atelier Tsuru is also recruiting apprentices now. People who would like to apply can do so through the job placement office or contact the Association representative at 022 (398) 2770.

*Translator’s note: This is an error. The Umoregi shop sells items crafted from bogwood and the Kobokusha Store sells tea utensils.

 

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椿人形

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Click to enlarge.

Title:

タイトル:椿人形

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椿を表す人形、椿人形の独楽。回すと人形がクルクルと回る。

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廣井道顕:これはあの椿の、これちょんとやると、グルグル回る独楽。

Newspaper article 新聞記事: Looking Forward to the Creation of “Akiu Products” 「秋保産」誕生楽しみ

Hiroi-sensei has appeared many times in Japanese newspapers. Below is a translation of an article entitled “Looking Forward to the Creation of “Akiu Products” that ran April 20, 2004 in the newspaper Kahoku shinpō. See the original Japanese article at the link below.

廣井先生は多数の新聞記事で特集されています。2004年4月20日、河北新報が廣井先生についての記事を掲載しました。以下のリンクでアクセスできます。

Click here for the original article: 記事はこちら

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Hiroi Michiaki makes kokeshi at Akiu Craft Village. He hopes to create a kokeshi forest.

Kahoku shinpō (April 20, 2004)

Looking Forward to the Creation of “Akiu Products”

Steady Work on Making a Forest for Kokeshi

Sendai City/Akiu Craft Village Collaboration

In an attempt to promote the local woodworking industry,  Sendai City is embarking on a “kokeshi forest”-making project in the town of Akiu’s Taihaku ward. In collaboration with Akiu Craft Village, painted maple and dogwood saplings will be planted; those trees will become the pulpwood for traditional craft goods. Their aim is to eventually have kokeshi that are entirely made from “Akiu Products,” and to facilitate that, a planting event, for which city residents can volunteer, is planned for May 5 [2004] .

Pulpwood trees to be planted this year, too, on May 5

Dogwood trees are native to the Akiu area, but the region is very marshy, making logging work very difficult. Because of this, Hiroi Michiaki (age 70), an artisan of Akiu Craft Village who makes kokeshi, is supplied with woodchips made by the lumber workers of Miyagi Prefecture’s Kunomori Ward for his work.

However, for a number of years lumber imports have been increasing and the amount of woodchip production has gone down; dogwood preservation, too, is becoming more difficult. Planning the pulpwood through their own supply efforts, Sendai and Akiu began the “kokeshi forest” project in May of last year. The city-owned forests near the Craft Village are roughly 6 hectares, and they plan to plant about 10,000 saplings over the course of 6 years, finishing in 2008. In one year, they have planted 1,400 dogwood trees.

It’s projected it will take roughly 15 to 20 years for the trees to grow into usable materials, but Hiroi-san has said, “If the next generation of artisans is able to use local dogwood to make kokeshi and other goods, I would be happy,” and is watching over the saplings affectionately.

The planting event, sponsored by the joint Sendai and Craft Village project, will be held on the 5th and is recruiting volunteers to help the artisans plant 1,500 saplings in the city-owned forest area. They also plan to hold cultural exchange events, with woodworking workshops and atelier tours.

The Sendai City Agriculture, Forestry, and Public Works Division stated, “Through the collaboration of the artisans and city residents on this forestation project, we hope to assure the continuation of traditional arts and to deepen  our residents’ understanding of forestry and woodworking traditions.”

There are 100 volunteer positions available on a  first come, first serve basis. To volunteer, contact the Sendai City Agriculture, Forestry, and Public Works Division’s Forestry Branch at 020 (214) 8264.

Media Post メディアポスト: Hiroi’s shop 廣井先生の店舗

As a part of building the Akiu Craft Village and its community, artisans working there have each of their homes, workshops, and shops together in one building. In the following photos, we see Hiroi-sensei and Mrs. Hiroi in their shop, “Onkomaya Hiroi,” where they sell their tops, along with some photos of Hiroi-sensei’s work on display. New tops are always appearing in the shop, as Hiroi-sensei and his apprentice design new works, create seasonal tops, and recreate old favorites.

秋保工芸の里と、その里のコミュニティづくりの一部として、働く職人は工芸の里に自宅、工房、兼 販売店舗を一つの建物として所有している。つくった独楽を販売する「御独楽處 廣井」という店舗にいる廣井先生と奥様の写真や、廣井先生が陳列した独楽の写真をここで紹介したい。廣井先生とお弟子さんが新しいデザインをつくり、季節の独楽や、昔ながらのデザインをつくるたび、真新しい独楽が常に店に陳列される。

ミノ虫飛び出しの中の独楽

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Click to enlarge.

タイトル:

ミノ虫飛び出しの中の独楽 (minomushi tobidashi no naka no koma)
bagworm larva leaping out top

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蛾の幼虫、ミノ虫がテーマの独楽である。イモムシのときに自分を温めるためのミノを作るので英語では『ケース・モス(case moths/ ケースは入れ物、モスは蛾)』と呼ばれることもある。住んでいる木にある葉を食べるために、ミノ虫がミノから頭を出す。日本で人気があるのは蓑笠の蓑のように見えるミノがある姿である。ミノ虫は俳句の秋の季語として使われることがよくある。この独楽で、廣井先生はミノ虫が木の枝に付いているミノから顔を出す姿を表現している。

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廣井道顕:うんでこれは何だっけな。あぁ、これはあれだ。ミノムシか。ミノムシの、ミノムシのその殻がないんだ。

廣井夫人:うん。

廣井:あのミノムシってぶら下がっててこんなんありますよね、あのう、これから。そういう形の独楽、飛び出してくる独楽。中のミノムシの虫が飛び出る、蝶ネクタイやってね。

ミノ虫飛び出しの中の独楽 (bagworm larva leaping out top)

Click to enlarge.
Click to enlarge.

Title:

ミノ虫飛び出しの中の独楽 (minomushi tobidashi no naka no koma)
bagworm larva leaping out top

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This top depicts a bagworm larva, the larval stage of the bagworm moth. They are sometimes called “case moths” because their caterpillars build little protective cases in which they gestate. As they emerge, bagworm larva pop their heads out of their case to eat the leaves of the tree they inhabit. In Japan, their popular image is related to the top of their case looking like a straw raincoat. Bagworms are often used as a subject for seasonal haiku in the fall. For this top, Hiroi-sensei depicts a bagworm popping out of its case, which is attached to a tree branch.

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Hiroi Michiaki: And what was this? Ahh, we talked [about this]. The bagworm larva? The bagworm larva doesn’t have a body.

Mrs. Hiroi: Yeah.

Hiroi Michiaki: Bagworm larva dangle [from branches] like this. From here. It’s a top with that sort of shape, one that leaps out. The bagworm inside jumps out, and it’s wearing a bowtie.

Newspaper article 新聞記事: Moved from Toshima, To Train in Akiu: Maeda from the Izu Islands

Hiroi-sensei and Maeda-san have appeared many times in Japanese newspapers. Below is a translation of an article entitled “Moved from Toshima, To Train in Akiu: Maeda from the Izu Islands” that ran January 10, 2008 in the newspaper Kahoku shinpō. See the original Japanese article at the link below.

廣井先生と前田さんは多数の新聞記事で特集されています。2008年1月10日、河北新報が廣井先生についての記事を掲載しました。以下のリンクでアクセスできます。

Click here for the original article: 記事はこちら

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Kahoku shinpō (January 10, 2008)

Maeda makes traditional artworks using reclaimed camellia wood, which is difficult to work with.

Moved from Toshima, To Train in Akiu: Maeda from the Izu Islands

“I want to become a woodworker using camellia wood in my hometown”

Akiu Craft Village in the Taihaku Ward of Sendai City and the Izu Islands near Tokyo are forming a closer bond. A man from Toshima has moved to Akiu and is training in traditional crafts. Given the opportunity to use reclaimed camellia wood from the Izu islands during his training at Akiu Craft Village, in the future, he hopes to return to his hometown as a woodworker specializing in their local camellia wood. For Akiu, they can also greatly increase the assortment of products they make, and their craftspeople have responded warmly, saying, “We this to become a bridge between Akiu and isolated islands of the Pacific.”

This man is Maeda Ryōji (26). While working a part-time job at a gas station in Sendai, he commutes to the “Komaya [Top Shop] Hiroi” workshop and is learning how to make tea cups, saucers, and tops.

The Hiroi workshop is managed by Hiroi Michiaki (74), one of the seven artisans of the Akiu Craft Village Work Association.

Maeda, after helping with his parent’s fishing business, worked at a company in Tokyo. In spring of 2004, he came to sell camellia oil at a product fair in Akiu Craft Village, where he by chance met Hiroi and developed an interest in traditional arts. In fall, he moved to Sendai.

Maeda says that his dream is “to master [everything], from methods of sawing to the making of ten types of edged tools using the lathe, then become the only woodworker in Toshima.”

In 2004, at the suggestion of local planner Aizawa Yū (51, Izumi Ward), the Work Association began a project to create new traditional craft pieces using reclaimed wood from Toshima. They received a donation of camellia wood from Toshima village and began their exchange selling kokeshi and accessory cases they made from it.

Compared with dogwood and other trees used for wooden toys, camellia has numerous hidden knots in the wood and becomes extremely hard when dried, making it difficult to work with. The products made from camellia have a particular texture and tint to them that give them a high-quality feeling.

Aizawa has said, “I thought we would join forces—Toshima, which had an issue with disposing of its old camellia wood, and the Craft Village, which was looking for a new challenge. We would be happy if Maeda became an independent craftsperson and inherited our traditional craft techniques.”

A map of Toshima 利島 off the coast of Tokyo and Yokohama.

“I don’t think there are any woodworkers in Japan that use camellia. I want to guide Maeda so he can readily become an independent artisan,” Hiroi said enthusiastically.

Toshima 利島 is located 140 km south of Tokyo. The population of the island, which spans about 8 km in circumference,  is around 300 people. More than half the island is covered with around 200,000 camellia trees, whichproduced about 14.5 kiloleters (3830.5 gallons) of camellia oil from their seeds a year in 2006–an estimated 60% of all of Japan’s camellia oil.

 

Media Post メディアポスト: Hiroi at Work 働く廣井先生

Creating Edogoma involves careful work within the workshop. Hiroi-sensei creates his own tools and spends hours at the lathe carving and painting his tops. The following photos show Hiroi-sensei at work in his small workshop at the front of his store and home in Akiu Craft Village.

江戸独楽の製作には工房での慎重な作業が求められる。廣井先生は自作の道具と旋盤を使い、何時間もかけて独楽を削り出して色付けする。秋保工芸の里にある独楽店の前には、廣井先生の自宅兼工房がある。こちらは小さな工房で働く廣井先生の写真である。