While Janell was an apprentice to Hiroi-sensei, he encouraged her to produce tops that dealt with themes related to American folk culture and lore that reflected both her background and the art and culture of her new home through traditional Japanese crafts. The photos below show tops Janell made in the 1980s.
This work depicts a daruma. A daruma is a traditional Japanese doll whose figure is based on the Bodhidharma, the founder of the Zen sect of Buddhism. Daruma are often depicted in this roundish shape because of a legend that the Bodhidharma stared at a wall in intense meditation for nine years, until both his arms and legs fell off. Daruma are traditionally depicted in red, but can appear in various colors with different meanings. They are considered good luck figures.
This particular top is a type of top known as a “headstand” (sakadachi 逆立ち) top. When spun fast enough it flips upside down and spins on the tip of its handle.
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Hiroi Michiaki: This is a daruma, but I think there’s probably something inside of it.
Janell Landis: It’s a headstand [top].*
*[Editor: A type of top that when spun fast enough flips upside down and spins on the tip of its handle]
鬼の子と桃太郎 (oni no ko to momotarō) Momotarō and the oni’s child
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This top depicts Momotarō, sometimes translated as “The Peach Boy,” or “Peach Tarō,” a legendary figure originating in the Edo period (1600-1868). In many versions of the Momotarō legend, Momotarō is a boy who came to Earth inside a giant peach who is discovered by an elderly couple who then raise him. He later leaves his home to fight a band of demons on a distant island, meeting a talking dog, a monkey, and a pheasant on the way who joint him in his quest. Most versions of the legend end with Momotarō defeating the demons, taking their treasure and their chief captive, and then returning home to live happily ever after with his parents.
In this top, Hiroi-sensei has depicted Momotarō babysitting the peach he was born from, which he carries on his back. The oni (ogre) is making fun of him for it and chasing him around taunting him.
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Hiroi Michiaki: Umm, ah, this is Momotaro, Momotaru as a babysitter. On his back, he’s carrying the peach that he was born from, and he’s babysitting it. The oni (ogre) is making fun of him and from behind he’s yelling, “Hey! Hey!” Momotaro’s dejectedly carrying the peach. My own little brother didn’t understand what it was– [Momotaro] carrying the peach.
This top is called “sake cup” and depicts a person holding on tightly to an inverted umbrella during a strong typhoon. The title and the top together form a pun, as the inverted umbrella looks like a sake cup (ochoko) and will collect water from the rain, which looks like sake. When the top is spun, the figure clatters about and looks like it is struggling to hold onto the umbrella in strong winds.
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Hiroi Michiaki: And this is– ah, this is “sake cup.” When it’s raining during a typhoon, on days when the wind is strong, your umbrella goes FWOOOSH and goes like this [inside out]. And [this figure] is doing their best to hold on.
Janell Landis: I received that eight years ago.
Hiroi: Yeah. If you spin this it clatters about and looks like they’re struggling [to hold on].
This work depicts a lion of the lion dance (shishimai 獅子舞), a type of performance believed to have been importing into Japan from China during the Tang Dynasty (618-907). Commonly associated with the Buddha’s birthday, the dance is performed in Japan around the New Year to drive off evil spirits and bring good luck. It may also be performed at other festivals, and the style of dance performed varies by region.
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Hiroi Michiaki: Um, this is the Lion Dance. The New Year’s Lion Dance. If you turn the tail over and over the neck spins about.