Hiroi-sensei and Maeda-san have appeared many times in Japanese newspapers. Below is a translation of an article entitled “Moved from Toshima, To Train in Akiu: Maeda from the Izu Islands” that ran January 10, 2008 in the newspaper Kahoku shinpō. See the original Japanese article at the link below.
Click here for the original article: 記事はこちら。
Kahoku shinpō (January 10, 2008)
Moved from Toshima, To Train in Akiu: Maeda from the Izu Islands
“I want to become a woodworker using camellia wood in my hometown”
Akiu Craft Village in the Taihaku Ward of Sendai City and the Izu Islands near Tokyo are forming a closer bond. A man from Toshima has moved to Akiu and is training in traditional crafts. Given the opportunity to use reclaimed camellia wood from the Izu islands during his training at Akiu Craft Village, in the future, he hopes to return to his hometown as a woodworker specializing in their local camellia wood. For Akiu, they can also greatly increase the assortment of products they make, and their craftspeople have responded warmly, saying, “We this to become a bridge between Akiu and isolated islands of the Pacific.”
This man is Maeda Ryōji (26). While working a part-time job at a gas station in Sendai, he commutes to the “Komaya [Top Shop] Hiroi” workshop and is learning how to make tea cups, saucers, and tops.
The Hiroi workshop is managed by Hiroi Michiaki (74), one of the seven artisans of the Akiu Craft Village Work Association.
Maeda, after helping with his parent’s fishing business, worked at a company in Tokyo. In spring of 2004, he came to sell camellia oil at a product fair in Akiu Craft Village, where he by chance met Hiroi and developed an interest in traditional arts. In fall, he moved to Sendai.
Maeda says that his dream is “to master [everything], from methods of sawing to the making of ten types of edged tools using the lathe, then become the only woodworker in Toshima.”
In 2004, at the suggestion of local planner Aizawa Yū (51, Izumi Ward), the Work Association began a project to create new traditional craft pieces using reclaimed wood from Toshima. They received a donation of camellia wood from Toshima village and began their exchange selling kokeshi and accessory cases they made from it.
Compared with dogwood and other trees used for wooden toys, camellia has numerous hidden knots in the wood and becomes extremely hard when dried, making it difficult to work with. The products made from camellia have a particular texture and tint to them that give them a high-quality feeling.
Aizawa has said, “I thought we would join forces—Toshima, which had an issue with disposing of its old camellia wood, and the Craft Village, which was looking for a new challenge. We would be happy if Maeda became an independent craftsperson and inherited our traditional craft techniques.”
“I don’t think there are any woodworkers in Japan that use camellia. I want to guide Maeda so he can readily become an independent artisan,” Hiroi said enthusiastically.
Toshima 利島 is located 140 km south of Tokyo. The population of the island, which spans about 8 km in circumference, is around 300 people. More than half the island is covered with around 200,000 camellia trees, whichproduced about 14.5 kiloleters (3830.5 gallons) of camellia oil from their seeds a year in 2006–an estimated 60% of all of Japan’s camellia oil.