In this post, Jan discusses how she developed as a feminist, her desire to share her point of view with her students, and her unique position as an unmarried American woman in Japan.

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Malina Suity: [1:00:42]: When you were working as a teacher at Miyagi, what were your–did you have any particular duties other than just teaching classes? What were your classes like?

Janell Landis: Um, well. The classes were, as I said, were sometimes with junior high school girls. And that was about fifty kids in one room and reviewing the English studies that they had with their Japanese teachers. They had me twice a week and the other teachers every day. And so it was back up for the Japanese teachers, and then that was true in senior high too. In college, I was given an opportunity with the juniors and seniors to have these elective courses. And then I attempted to really concentrate on some of the issues that women would face. And that’s when my feminist years developed. And I saw some of the girls develop too. And one of them ended up being, working on the wonderful program north of Tokyo that was involved with educating workers from other Asian countries and for commuting to work and so on. [1:02:09]

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Malina [1:09:50] You mentioned your development as a feminist and working with women’s issues. Can you describe your experience as a woman in postwar Japan?

Janell: Yes. Uh, it was, my own conversion was when I was going with a group of people from New Jersey to what they called the God Box. To a Riverside area where the national church of these mainline denominations was located. And I went into a drug store while we were waiting for the car and I bought the first magazine of Ms. and that changed my life. And I didn’t see…what was your question again?

Malina: Um

Janell: I’m ready to get off of it.

Malina: It’s uh, being a woman in Japan.

Janell [1:10:58]: Oh, a woman in Japan. Well, because of that conversion in the States when I went back. I had the privilege in some of these elective classes to show what women were doing in other countries or so on. So, I myself branched out. But I had a reaction of one of my female Japanese teachers, she thought I was degrading the men. And uh, like I was anti-man. And that really hurt me in a way. I didn’t ever feel like I would, that I would, ever degrade my fellow men that were working on the faculty. I was cautioned then, to be careful not to be too demanding.

But um, like I said, being a single woman. I was my own self and I think I got a little bit different treatment than a wife would. And she would have opportunities that I didn’t have. But I never begrudged the difference. Each of us is given a walk and we have to walk our walk, own walk. We can’t imitate somebody else’s trot, but uh. I never felt…well let’s see I can’t say never. There were times when being a woman in postwar Japan might have been more difficult. But, being an American woman, being a single woman. [laughs] I had some freedoms that my Japanese women didn’t have. I was always–In the first years when things weren’t as progressive, I never got invited to the weddings. But after how many years there, it was like, if they had the American teacher there that was a real special thing. I got took to so many weddings and their parties. But, it was rarely that we were in the weddings. Many of them were held in a Shinto temple, but we were having the wedding parties in these big hotels or these big wedding parlors. And they’d spend a fortune and give everyone a present and so on. But I, in the latter years, I was one of the people they called. [1:14:02]

For more information on Ms. Magazine and the impact it had on women like Jan, read this oral history from New York Magazine.

Photograph of Janell and English Department staff at Miyagi Gakuin via Janell Landis.