花咲ぢいさん (hanazaka jiisan) The Old Man Who Made the Dead Trees Blossom
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This piece depicts the folktale “The Old Man Who Made the Dead Trees Blossom.” There are many versions of the story. One is that an old couple loved their dog dearly, and one day the dog dug up gold in their garden. An envious neighbor, thinking the dog must be able to sniff out treasure, stole the dog and had it dig in his own garden. But when the dog only dug up bones, he killed it and told the couple it had died naturally.
The old couple buried the dog under the fig tree where it had dug up the treasure, and that night the old man had a dream the dog told him to chop down the tree and use it to make a mortar for pounding mochi. He did so, and the rice they put into the mortar turned into gold. The neighbor also saw this and took the mortar, but the rice he put inside turned to dirt instead, so his wife burned the mortar and destroyed it. That evening, the dog returned to his master in a dream and told him to sprinkle the ashes of the mortar on nearby cherry trees. The old man did so, and the trees bloomed, and a passing daimyo (military lord) who saw them praised the old man and showered him with gifts. When the neighbor jealously tried to sprinkle the ashes as well, they blew into the daimyo’s eyes, and the daimyo threw the neighbor into prison. When he was released, he was banished from his village and had nowhere to live.
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Hiroi Michiaki: And what is this? Ahh! The Old Man Who Made the Dead Trees Blossom. Hm? The Old Man Who Made the Dead Trees Blossom?
Mrs. Hiroi: Yeah, it’s that.
Hiroi: Mm. Yeah. It’s The Old Man Who Made the Dead Trees Blossom.
Mrs. Hiroi: It spins around and around. If you spin it from the top.
Hiroi: Ummm, this is The Old Man Who Made the Dead Trees Blossom. When [the old man] saved an adorable dog, as thanks, um… it barked for him to dig [in this spot], and when he dug there large and small gold coins came out. And later, when he was pounding mochi, I think the mochi turned to gold. It turned to gold. And the wicked old man next door felt bitter towards him. So he burned the mortar and mallet [for pounding mochi]. And the [first] old man took the ashes and scattered them and flowers bloomed from the withered trees there. And he was praised by his local lord. It’s an old legend… that goes like that.
This top depicts a drunk priest. He is holding an octopus to snack on and a gourd full of sake. When you spin it from the top it appears he is staggering about.
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Hiroi Michiaki: Mm, this is a drunk priest. He’s a priest that’s drunk on sake and he’s staggering about. He’s holding an octopus, a boiled octopus, and there’s sake in his gourd. This priest, I wonder if he was in there [in the workshop]. Um, if you spin this, in any case, the priest lolls about and spins. He’s drunk.
This piece depicts a calm, early winter day that feels like autumn. An old woman sits dozing on her veranda stroking a sleepy cat that basks in the sun.
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Hiroi Michiaki: Umm this is– what is this? I think it’s “a warm winter day.”
Mrs. Hiroi: Yeah something like that.
Hiroi: This [top] is an old lady on the veranda, holding a cat basking in the sun. And they’re dozing off.
雷さまのたいこつり (kaminarisama no taikotsuri) the thunder god’s taiko fishing
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This top depicts the thunder god. In this scene, the thunder god has dropped the taiko drum he uses to create the sound of thunder. He leans over the side of a cloud and uses a hook to try to reclaim his fallen drum. When you spin the uppermost top, the thunder god clatters back and forth, having difficulty trying to hook his drum.
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Hiroi Michiaki: And this is the thunder god, it’s called “Raikō’s taiko-drum fishing.” While the thunder god is thumping the taiko drum to sound the thunder, he drops the drum and can’t make thunder anymore. In his haste he tries to fish for his drum from atop a cloud, tries to snag it on the hook. If you spin this, he clatters about and can’t easily ensnare [the drum]. And in the middle of that he stops thundering. It’s that sort of top.
These tops depict a bouquet of flowers. Each blossom is carefully balanced on a wooden stick representing the stem, and can be removed to become a separate top.
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Hiroi Michiaki: And these are tops of flowers. They’re [in that room] over there.